This week, we’ve been thinking and chatting about the relationship between gender and art/craft and in particular about the spectacle of the male knitter. It’s a big conversation, involving concepts like industrialization, domesticity, capitalism, “women’s work,” high versus low art, homophobia, sexism, ageism, yadda yadda yadda… It’s a conversation we want to keep having but certainly can’t fit into a single post. So today’s post is a little experiment: it’s a short-and-sweet critical essay on a popular instance of cinematic knitting—Mr. Lucky, starring the one and only Cary Grant—just to begin thinking through this question.
The film Mr. Lucky (1943) was based on a story called “Bundles for Freedom” by Milton Holmes, who also wrote the film’s screenplay. It features a classic moment of knitting on film, and captures a moment in American history when knitting was not only popular but almost mandatory in the name of patriotism. Watch this clip for the famous scene of Cary Grant getting lost in his stitches: Continue reading POP FIBER: Mr. Lucky and the Gender of Knitting